Senior photography has grown tremendously over the years thanks in part to social media. Teens love to share their photographs with each other. So it’s no wonder that graduation photography is such an important part of their lives. Like any specialty, there are a few tips and tricks to keep in mind when photographing graduates.
1. Know Your Client
Each client is unique. What defines them at this age is their interests. The more you can connect with them on this level the more they will feel comfortable with you and in front of the lens. I know a lot of photographers that will send out a “Get to Know You” questionnaire to their clients. It’s a short survey that asks clients about their hobbies, music tastes, sports, etc. As you prepare for the photo shoot, you may want to have your client bring their ipod or mp3 player loaded with their favorite songs as background music for the shoot. You can also suggest they bring any sports items they have or instruments they played. Anything to make their experience unique and specialized.
2. Dress for Success
Nothing dates an image more than the style of clothes a person wears. When my Senior images were taken, acid wash was the rage. Let the Senior bring their favorite clothes and what makes them feel comfortable. You may also want to suggest to throw in a few more timeless and simple outfits ie, solid colors, no big logos, etc. This way you are covering all bases and will ensure the images will not be outdated as the fads change. Also, if your client wears glasses you might want to suggest they get a pair of frames without the glass. Most glasses give a glare from studio lights or reflections from outside. You don’t want them to look differently without their tradmark specs, but you also don’t want to spend a lot of time retouching glare.
3. Posture and Hand Placement
Posture and hand placement are so important in senior photography. For most Seniors, this is their first time being the solo subject for a professional photographer. So they will not automatically know what to do with their hands and limbs. Typically, girls should have soft hands and boys should have more confident hand placement. Instead of telling your subjects what they should be doing or going in and mechanically moving their limbs for them, show them how to pose. This way, they don’t feel as awkward or embarrassed that they are doing it wrong. This should be a positive experience and the more you can alleviate any stress for them the better.
4. Bring Along Support
You might also suggest they are welcomed to bring a long a friend, parent or sibling. Sometimes having a familiar face in an unfamiliar place makes all the difference in the world. I think it’s often important too to snag a few candids of the Senior with this person. It’s a simple thing to do and it makes for a lasting memory from a great session. Some photographers will even include their support person in the portrait session. Whatever your view is, this person is special to your Senior, so take the time to capture it.
5. Be Social Savvy
It seems like a majority of Seniors are very social savvy with accounts on Facebook, Twitter, Instagram and Pinterest. It’s imperative to be just as savvy. In your questionairre from step 1, make sure to ask your Seniors for their various handles on social media channels. I always ask if it’s ok to tag them on Facebook and give sneak peeks on other social media channels. I’ve also Instagrammed between set ups where the client is relaxing a bit and laughing. It’s important to find out what they are comfortable with in regards to social media and then target your marketing accordingly.
The most important item to keep in mind is to make your client feel at ease. You are documenting a really important time in their life. Keeping it fun, positive and smooth on your end will go a long way in making a great memory.
The snow is melting (we promise) and the blooms are starting to appear. Now is the time to start ramping up for portraits outdoors. Before you snap that shutter, there are a few things you should keep in mind when outside. Here are 10 tips from Award Winning, AdoramaPix Ambassador, Jen Hillenga.
1. TIME OF DAY
You don’t always get to choose what time of day you are photographing, but if you can, choosing a time of day when the sun is low in the sky is preferable. Early morning and the hour before dusk, called the Golden Hour, will result in the light being softer and more diffused and will make lighting your images a bit easier. When the sun is high in the sky, it creates harsh shadows and your subject’s eyes may not be able to handle the brightness. Photographing at optimal times of the day will eliminate those issues.
2. DIRECTION OF LIGHT
No matter what time of day you are photographing, you will need to find or create a good direction of light. When the sun is high and the light is coming from directly overhead, the light pattern is unflattering to the face, causing dark shadows especially in the eye sockets. To avoid this, you want to find or create what is called ‘Open Shade”. Open shade occurs any time there is shade overhead and light is coming into the face instead of from above it. You can find open shade by tucking your subjects under any overhang, such as a porch stoop, under a shade tree, under a bridge or awning.
3. LIGHT MODIFIERS
If you can’t find open shade, you can use light modifiers to create good light in an otherwise unflattering lighting situation. You can either use a reflector or a flash to change the direction of the main light or to fill in shadows. If you decide to use a reflector, try not to use it below your subject or your fill light may get a “ghoulish” sort of underlight. If you choose to use a flash to light your subjects, you will most often get the best results by using the flash off camera, rather than on your camera. This creates a good direction of light, giving flattering shadows that help sculpt the face rather than flat lighting your subject.
4. DEPTH OF FIELD
When shooting outside, it is often nice to let the background go out of focus by narrowing your depth of field and shooting at a larger aperture. This works great to isolate your subject and really have them stand out from the background. Make sure that if you are shooting more than one person, that you have everybody in the plane of focus so that every person in the photograph is in focus. Your depth of field is relative to your distance from your subject as well, so If you would like to shoot a shallower depth of field, but have more than one subject, try backing away from your subject which will increase your plane of focus.
5. UNCOMPLICATED BACKGROUNDS
When you photograph your subjects, it is usually is best to isolate them from the background as much as possible. To do this, try to choose backgrounds that are solid and not busy patterns or patchy lighting that will distract from viewing the main subject.
Every choice we make in composing your images makes a statement. Although centered composition can be very stable and give an impression of strength, off center composition creates fluidity and movement and can often be more appealing. Often you will hear good composition referred to as the “rule of thirds”. Imagine a tic tac toe board dividing your image into 3rds. Where these line intersect is called the “third” as if often the best place to put your point of interest with the most effective being the lower right third because we read in the z formation, meaning left to right, top to bottom. This mean that the lower right corner of the image is where our eye naturally stops, creating the best rest stop and point of interest.
7. LEADING LINES
To create interest and movement in your image, you may want to use natural or architectural leading lines that draw the viewer’s eye to the subject.
8. GET LOW…OR HIGH
Changing up your camera position can create interest in your portraits, especially when photographing children. getting down on their level can often show how the world looks to them and give you a little glimpse into their world as well as allowing them to look straight into the camera. Shooting small things from a high angle can make them looks small, creating a sense of wonder. When photographing, walk around your subjects and play with different angles to find what works with your subject and step out of your box a little.
If you can’t find shade, try a few shots with the light behind your subject, creating a beautiful glow behind them. Don’t forget to expose for your subjects face though or you may end up with dark underexposed faces. Sometimes, if you hit the right angle you may also have the light hitting the lens, causing what is called “sunflare”. Sunflare can be cool if done correctly and sparingly.
10. IF YOU CAN’T BEAT IT, USE IT!
Sometimes it’s just not possible to get the perfect lighting in certain areas…but it is usually possible to get a great image anyway. Sometimes its raining…grab and umbrella and have your subject jump in the puddles. Sometimes its too sunny…try facing your subject into the sun, or doing an image that is more of an art piece than a portrait in order to use the whole scene. Sometimes its is too windy….do a image of the hair flying wildly in their face. Be creative with your surrounding and don’t be afraid to play. You will often find that you can turn a negative into a positive and still get a great image.
For more tips and tutorials from Jen check out her website JensFabulousStuff.com