Adoramapix

Dec 2011 01

Well, after a lot of brainstorming, a lot of research, and a lot of gathering we have finally polished up our blog and I couldn’t be happier! When I started with Adoramapix, I wanted to make sure that we were more than just a photo lab, we were a place to share ideas and see each other’s work.  It’s more about being a community. Although, social media is deemed as social, sometimes you never get to meet your virtual friends face to face or see their incredible work.  Well this is a place where we showcase you! This is a place where we show your hard work and your amazing talent.

We will also have the most up to date information on the changes and updates at Adoramapix. Along with timely announcements on our incredible sales. No more searching through Facebook or Twitter!  Our search features on the blog will help you find what you are looking for in an instant.

Plus, our fancy schmancy (yes, I know that’s not a word) tile bar at the top shows off your amazing panoramics. I want to thank all that have helped me start the blog — Matthew Pugliese, Patrick Smith, Stacey and Kelly Chance, Affinity Studios, Jimmy Phillips, Pak Ki So, Loren Roberts, Beckie Bragga  and Beyti Barbaros. You’ll see their stunning work at the top and in our Members of the Week.

 

 

 

Dec 2011 06

The Dark Side of Deadlines….

Most of us know that creating a deadline on a project is generally a good ideas as this gets people to push their limits in order to accomplish their goals. However, in some cases creating a deadline may just create a mess.

I am talking about deadlines in photo labs. Traditionally, photo labs let their clients know by when they must place their orders so as to have them delivered before the holidays. In the past, we also followed that custom.  However, over time we discovered that this often did more harm than good when we received a huge surge of orders at the very last minute.. sometiems more than we could handle. When this surge focused us to push back our deadline by a day or two, this left a bad taste in the mouths of some of our best clients.

This year we have decided to try something new. WE ARE NOT  announcing any deadlines, instead we have worked hard to add a live, in-house estimator where we show the current processing time based on our current volume. We encourage everyone to keep checking this and to please place your orders  sooner, rather than later. The estimator is located on your home page and gives a guideline to times on prints, posters and custom photo books.*

 

We hope this will eliminate the pressure from our side so we can focus on delivering the best product for the best price!

Sincerely,

Herman Klein -Director

*(The estimator does not give times for gallery wraps, greeting cards or Leather-Lux photo books)

Mar 2012 14

We`ve worked hard in compiling the 100 Your Best Shot entries from more than 2200 entries. We had no idea that this contest would register so much interest. We love the fact that people from all over the world, ages 18-68 entered this contest.  The next step, a new team of judges will pick the top 25 from this list. We will introduce you to them shortly. In the meantime, if you would like to see the top 100 – you can click HERE.
 

Jul 2013 08

HDR, or “High Dynamic Range” photography comes with a ton of opinions and critics.  Basically you either really love HDR or you hate it.  Over the past number of years it has become a very popular type of photography but also has a fairly poor reputation for being very unrealistic and extremely over done.  I won’t lie, when I first started shooting them I made all the early mistakes most people usually do.  Here a 5 tips to get you going in the right direction!

1. Less is More

The whole purpose of HDR photography is to bring out the details in shadows and highlights that your camera’s sensor can not do with one shot.  The problem is you will see a lot of people going with 6+ images to merge together into one HDR photo.  This brings out way too much detail and can sometimes flatten it out.  You best bet is to try and merge 3 photos together with just a couple stops difference at the most.  You have one neutral, one over exposed  by a stop or two, and one under exposed by a stop or two.  This will keep the image looking more realistic but at the same time give you that HDR look.

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2. Shoot in RAW

If you aren’t already shooting RAW, you should be…even more so for HDR photography. With RAW files you are able to change the exposure of an image entirely in post processing.  So you can get away with taking only 1 photo and adjusting the exposures in your photo editing program to give yourself the 3 different exposures you need.  Doing it like this will keep issues like camera shake/movement and subject movement from happening and giving you a sharper image.  It doesn’t work in all situations but it is absolutely a very handy way of getting a great HDR image.

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3.  Use a Tripod

If you are already familiar with shooting landscapes, even more so at night than you are likely already using a tripod.  However, it is extremely important for creating photos that require multiple exposures.  This allows you to take your 3 images while constantly having the same scene, horizons, subject, etc.  When you bring your file into the HDR processing software (I personally used Photomatix) it gives you options for file alignment but to play it safe, always use a tripod.  Also if you can, pick up a remote shutter or use the timer on the camera to reduce all camera shake for each image.  Also quite handy (the remote) for long exposures!

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4. Shoot at a low ISO

Shoot at low ISO, ideally 100.  HDR processing introduces a lot of noise into your image so start with a lower ISO to minimize that problem. Every HDR image will have some noise, in post processing you can use certain tools and filters to help reduce noise.

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5. Take it Easy with the Sliders

When I say sliders I mean the adjustment sliders in the HDR program you use such as Photomatix. Putting too much into strength, saturation, etc. can result in just a very ugly over done image. You create “halos” around subjects. If it looks over done to your eyes, it likely is. Bring that strength slider down. Also Photomatix is not the end of the editing process, take it from there into Photoshop or Lightroom to make final touches but editing is another topic all together!

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Thanks to guest blogger Matthew Pugliese. Matt started shooting  back in 2009 as a hobby with a Canon Rebel.  His main area for photography has always been the urban landscape of New York City. He has been shooting HDR for about 3 years now. What started as a hobby, has now turned into a way of life for him. You can view more of his amazing work on his website and flickr account.

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Jul 2013 10

Congratulations to Your Best Shot 2012 winner Alejandro Santiago from Canada.  His image made it through four rounds of  judging by professionals and Adoramapix members  to take home the top spot of Your Best Shot 2012. His photograph on that foggy February morning  is the epitome’ of amazing street photography. ybs2012

Alejandro grew up in Miami, Florida and studied design at Parsons in New York. All throughout his life, photography and design have been a way for him to communicate the things and people he loves. You can see more of his street photography & portraiture on his website or his Facebook page.
I asked Alejandro to tell us a little more about his winning  photograph. He said, ” This photograph was taken on a foggy winter morning in 2012. I remember watching the fog outside my window and not being able to sleep.  I packed my camera and took to the streets before sunrise.  The photograph was  taken just a block from Lake Ontario. This man was crossing the street to get on a streetcar. This was an important morning for me because I made a choice to wake up, explore the streets with my camera and make photographs. That’s how creativity is — you need to claim it. I’m working on tracking down the man in the photo. I would love to give him a print. If you know him please contact me!”
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Not a lot of people understand or recognize street photography and what it entails. I asked Alejandro to explain it for us. He said,”

Street photography forces you to use all your senses to be completely present and  in the moment. It can feel like fishing because you’re attempting to capture a moment. Some days you come home with nothing other days you come home with a great image. I always make an effort to wander the streets with my camera at least once a week, it’s almost like a workout for my eye  and camera.  The best thing about street photography is that it doesn’t require planning or scheduling–the streets are always ready for you.  I recently began a Tumblr about my street photography in Cuba. Its called, Oye Cuba.
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I had to ask Alejandro what was in his camera bag. He said, “It’s easy to get caught up in gear and fantasizing about all the things you don’t have, but for me creativity is about exploiting those limitations and using what you have. I shot that photo with a 35mm lens on my Nikon D7000. When I’m on the streets I try to keep my travels light.  Though I like to use a speedlight which I usually hold in one hand and my camera in the other. Sometimes I put a small softbox diffuser on my flash it makes a huge difference. Good light is the most important thing for me.”
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I wanted to know if Alejandro had any advice on those just starting out on street photography. He replied, “Treat street photography like a workout, its a skill you need to develop that requires discipline. Don’t think so much, experiment, and make accidents on purpose.  Also, share your work. If you take a picture be sure to give it back to the world for people to experience. That will help encourage your growth.”
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Thank you Alejandro for your advice. You are an inspiration and your work is thought provoking. It speaks volumes without saying a word. In case you are wondering, Alejandro picked the Nikon D600 as his camera. His image along with 11 other winners will also appear in our YBS 2012 Adoramapix Photo Book.
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