Adoramapix

Dec 2011 19

This Week’s photo challenge is : Treats! Show us all of your holiday hard work with your  baking goodies pictures. Email your entries to events@adoramapix.com. One submission per person. Winner receives $50 in Adoramapix lab credit. Contest ends at 11:59 pm EST December 26, 2011.

 

 

Jan 2012 04

Congratulations – you did it! You took a picture every day in the year 2011 with Project 365. You were determined, you were motivated, you were disciplined with your craft. Whew — you’re done. What? No! For those of you who took on this project, I envy you. You made a habit of documenting the world around you for 365 days, rain or shine in sickness and in health. Now it’s time to preserve your memories with an AdoramaPix photo book. Yes, we do have a template that would be perfect for your project. Within our PixPublisher, you will find a lot of different themes. The best theme to suit this project is a 76 page Collage. The theme is perfect because it can host all of your images from your project. It has different sizes and orientations to suit whatever subjects you covered last year. All of that hard work and discipline can be showcased for generations. So don’t procrastinate and let those images sit on your hard drive or phone – give them a home in 2012. You can order our photo books HERE.

Mar 2015 10

The snow is melting (we promise) and the blooms are starting to appear. Now is the time to start ramping up for portraits outdoors. Before you snap that shutter, there are a few things you should keep in mind when outside. Here are 10 tips from  Award Winning, AdoramaPix Ambassador, Jen Hillenga.

1. TIME OF DAY

You don’t always get to choose what time of day you are photographing, but if you can, choosing a time of day when the sun is low in the sky is preferable.  Early morning and the hour before dusk, called the Golden Hour, will result in the light being softer and more diffused and will make lighting your images a bit easier.  When the sun is high in the sky, it creates harsh shadows and your subject’s eyes may not be able to handle the brightness.  Photographing at optimal times of the day will eliminate those issues.

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2. DIRECTION OF LIGHT

No matter what time of day you are photographing, you will need to find or create a good direction of light.  When the sun is high and the light is coming from directly overhead, the light pattern is unflattering to the face, causing dark shadows especially in the eye sockets.  To avoid this, you want to find or create what is called ‘Open Shade”.  Open shade occurs any time there is shade overhead and light is coming into the face instead of from above it.  You can find open shade by tucking your subjects under any overhang, such as a porch stoop, under a shade tree, under a bridge or awning.

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3. LIGHT MODIFIERS
If you can’t find open shade, you can use light modifiers to create good light in an otherwise unflattering lighting situation.  You can either use a reflector or a flash to change the direction of the main light or to fill in shadows.  If you decide to use a reflector, try not to use it below your subject or your fill light may get a “ghoulish” sort of underlight.  If you choose to use a flash to light your subjects, you will most often get the best results by using the flash off camera, rather than on your camera.  This creates a good direction of light, giving flattering shadows that help sculpt the face rather than flat lighting your subject.

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4. DEPTH OF FIELD

When shooting outside, it is often nice to let the background go out of focus by narrowing your depth of field and shooting at a larger aperture.  This works great to isolate your subject and really have them stand out from the background.  Make sure that if you are shooting more than one person, that you have everybody in the plane of focus so that every person in the photograph  is in focus.  Your depth of field is relative to your distance from your subject as well, so If you would like to shoot a shallower depth of field, but have more than one subject, try backing away from your subject which will increase your plane of focus.

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5. UNCOMPLICATED BACKGROUNDS

When you photograph your subjects, it is usually is best to isolate them from the background as much as possible.  To do this, try to choose backgrounds that are solid and not busy patterns or patchy lighting that will distract from viewing the main subject.

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6COMPOSITION

Every choice we make in composing your images makes a statement.  Although centered composition can be very stable and give an impression of strength, off center composition creates fluidity and movement and can often be more appealing.  Often you will hear good composition referred to as the “rule of thirds”.  Imagine a tic tac toe board dividing your image into 3rds.  Where these line intersect is called the “third” as if often the best place to put your point of interest with the most effective being the lower right third because we read in the z formation, meaning left to right, top to bottom.  This mean that the lower right corner of the image is where our eye naturally stops, creating the best rest stop and point of interest.

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7. LEADING LINES

To create interest and movement in your image, you may want to use natural or architectural leading lines that draw the viewer’s eye to the subject.

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8. GET LOW…OR HIGH

Changing up your camera position can create interest  in your portraits, especially when photographing children.  getting down on their level can often show how the world looks to them and give you a little glimpse into their world as well as allowing them to look straight into the camera.  Shooting small things from a high angle can make them looks small, creating a sense of wonder.  When photographing, walk around your subjects and play with different angles to find what works with your subject and step out of your box a little.

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9. BACKLIGHTING

If you can’t find shade,  try a few shots with the light behind your subject, creating a beautiful glow behind them.  Don’t forget to expose for your subjects face though or you may end up with dark underexposed faces.  Sometimes, if you hit the right angle you may also have the light hitting the lens, causing what is called “sunflare”.  Sunflare can be cool if done correctly and sparingly.

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10. IF YOU CAN’T BEAT IT, USE IT!

Sometimes it’s just not possible to get the perfect lighting in certain areas…but it is usually possible to get a great image anyway.  Sometimes its raining…grab and umbrella and have your subject jump in the puddles.  Sometimes its too sunny…try facing your subject into the sun, or doing an image that is more of an art piece than a portrait in order to use the whole scene.  Sometimes its is too windy….do a image of the hair flying wildly in their face.   Be creative with your surrounding and don’t be afraid to play.  You will often find that you can turn a negative into a positive and still get a great image.

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For more tips and tutorials from Jen check out her website JensFabulousStuff.com